{"id":3123,"date":"2023-05-25T10:58:00","date_gmt":"2023-05-25T10:58:00","guid":{"rendered":"https:\/\/knoblochstrings.com\/?p=3123"},"modified":"2026-03-31T06:52:54","modified_gmt":"2026-03-31T06:52:54","slug":"pedro-mateo-habla-sobre-el-preludio-no4-op-28-de-frederic-chopin","status":"publish","type":"post","link":"https:\/\/knoblochstrings.com\/es\/blog\/pedro-mateo-habla-sobre-el-preludio-no4-op-28-de-frederic-chopin\/","title":{"rendered":"Pedro Mateo habla sobre el preludio N\u00ba4 Op. 28 de Fr\u00e9d\u00e9ric Chopin"},"content":{"rendered":"

Chopin en Mallorca<\/h2>\n

\u201cLa nuit, on entend des chants et le son des guitares pendant des heures enti\u00e8res\u2026\u201d<\/em><\/p>\n

Palma, 15 de noviembre de 1838<\/strong><\/p>\n

La estancia de Chopin en Valldemossa<\/h2>\n

:contentReference[oaicite:0]{index=0} residi\u00f3 apenas 3 meses durante el invierno de 1838-39 en la isla de :contentReference[oaicite:1]{index=1} junto a la escritora :contentReference[oaicite:2]{index=2} y sus dos hijos, en busca de un clima m\u00e1s favorable que el de Par\u00eds.<\/p>\n

Tras diversas vicisitudes acabaron instal\u00e1ndose en la hermosa :contentReference[oaicite:3]{index=3}, que hab\u00eda sido desalojada de sus monjes en 1835 debido a la desamortizaci\u00f3n de Mendiz\u00e1bal. Hemos recibido abundante informaci\u00f3n sobre lo que vivieron en aquellos d\u00edas gracias al libro \u00abUn invierno en Mallorca\u00bb<\/em> de la propia Sand y a las numerosas cartas que Chopin escribi\u00f3 y recibi\u00f3.<\/p>\n

Los 24 preludios op. 28<\/h2>\n

Durante esos meses, Chopin termin\u00f3 de componer sus 24 Preludios op. 28 en todas las tonalidades, tal como ya hab\u00eda hecho :contentReference[oaicite:4]{index=4} en sus colecciones de preludios y fugas. Desde Valldemossa envi\u00f3 el manuscrito a su editor en Par\u00eds.<\/p>\n

Preludio n\u00ba 4 en mi menor<\/h2>\n

El Preludio n\u00ba 4 en mi menor se ha mantenido desde su creaci\u00f3n como una de las piezas m\u00e1s reconocidas y, al mismo tiempo, m\u00e1s enigm\u00e1ticas del compositor. Incluso son\u00f3 en una transcripci\u00f3n para \u00f3rgano durante su funeral apenas una d\u00e9cada despu\u00e9s.<\/p>\n

El lento lamenti<\/em> de la melod\u00eda, junto con los ambiguos y dolorosos pulsos de la mano izquierda, llenos de cromatismo y en ocasiones pr\u00e1cticamente imposibles de analizar arm\u00f3nicamente, convierten esta breve pieza en una de las m\u00e1s comentadas del autor.<\/p>\n

La influencia de la guitarra<\/h2>\n

La carta que Chopin escribi\u00f3 a su amigo Fontana el 15 de noviembre de 1838, los dibujos de guitarristas locales realizados por el hijo de George Sand, e incluso el hecho de que la pieza comience utilizando las cuerdas agudas al aire de la guitarra en el acompa\u00f1amiento, nos invitan a imaginar a Chopin capturando el esp\u00edritu de este instrumento en las teclas del piano, como ya hiciera :contentReference[oaicite:5]{index=5} y m\u00e1s tarde :contentReference[oaicite:6]{index=6}.<\/p>\n

Transcripciones y legado<\/h2>\n

Desde la temprana transcripci\u00f3n de :contentReference[oaicite:7]{index=7}, en la que invirti\u00f3 el registro de las voces, hasta versiones posteriores para d\u00fao, los guitarristas no han dejado de sentirse fascinados por la m\u00fasica de Chopin y por este preludio en particular.<\/p>\n

A pesar de ser autor de probablemente algunas de las obras pian\u00edsticas m\u00e1s idiom\u00e1ticas jam\u00e1s escritas, grandes guitarristas como :contentReference[oaicite:8]{index=8}, :contentReference[oaicite:9]{index=9}, :contentReference[oaicite:10]{index=10} o, m\u00e1s recientemente, :contentReference[oaicite:11]{index=11} adaptaron algunas de sus piezas para su instrumento con gran \u00e9xito.<\/p>\n

Una experiencia de grabaci\u00f3n \u00fanica<\/h2>\n

Grabar esta magn\u00edfica y extremadamente fiel transcripci\u00f3n de :contentReference[oaicite:12]{index=12} junto a \u00e9l, rodeados de los objetos personales y manuscritos de Chopin, fue una experiencia \u00fanica y m\u00e1gica que nunca olvidaremos.<\/p>\n

Agradecimientos<\/h2>\n

Gracias a todo el equipo de Knobloch por hacerlo posible.<\/p>\n<\/p>\n

Pedro Mateo Gonz\u00e1lez<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Chopin en Mallorca \u201cLa nuit, on entend des chants et le son des guitares pendant des heures enti\u00e8res\u2026\u201d Palma, 15 de noviembre de 1838 La estancia de Chopin en Valldemossa …<\/p>\n","protected":false},"author":1,"featured_media":3122,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[227],"tags":[],"class_list":["post-3123","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guitarra-clasica"],"acf":[],"yoast_head":"\nPedro Mateo habla sobre el preludio N\u00ba4 Op. 28 de Fr\u00e9d\u00e9ric Chopin - Knobloch Strings<\/title>\n<meta name=\"description\" content=\"Chopin en Mallorca \u201cLa nuit, on entend des chants et le son des guitares pendant des heures enti\u00e8res\u2026\u201d Palma, 15 de noviembre de 1838 La estancia de\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/knoblochstrings.com\/es\/blog\/pedro-mateo-habla-sobre-el-preludio-no4-op-28-de-frederic-chopin\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pedro Mateo habla sobre el preludio N\u00ba4 Op. 28 de Fr\u00e9d\u00e9ric Chopin - 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